Chapter 1- Every Trip
Is a Quest (Except When It’s Not)
The quest consists of five things: (a) a quester, (b) a
place to go, (c) a stated reason to go there, (d) challenges and trials en
route, (e) a real reason to go there.
In the novel 1984 the protagonist Winston Smith, our quester, is unhappy and non-complacent
with the authority of the society and Big Brother. Winston had a place to go in order to try and get away from the overlooking
eyes of society; he had a “safe” haven and would travel back and forth. Winston
had a reason to go there, in that he
was trying to escape and rebel against the authoritarian culture and Big
Brother. Winston meets several challenges
and trials along his way, such as, the Thought Police, Big Brother, and
other stipulations in avoiding society. His real
reason to go however was for self-knowledge, he wanted to know who Big
Brother was, defy the odds of society, and see how life would be without the all-seeing
culture presented in the novel.
Chapter 2- Nice to
Eat with You: Acts of Communion
In the movie “No Country for Old Men”, Sherriff Bell was
eating talking with his nephew. In the scene he is sitting at a table with food
and beverages – communion more or less – and the talk persuades Bell to be
uncomfortable, because of the topic. Sheriff Bell then does not feel like
eating his food, losing his appetite, thus there is broken communion which is a
bad sign, foreshadowing bad outcomes to follow in the rest of the movie.
Chapter 3- Nice to
Eat You: Acts of Vampires
The essentials of a vampire story is an older figure, representing
corrupt, out-worn values; a young, preferably virginal female; a stripping away
of her youth, energy, virtue; a continuance of the life force of the old male;
the death or destruction of the old woman.
In the novel “Perks of Being a Wallflower”, Sam, a younger girl, was molested by her father’s
friend (older figure, corrupt), in
which she was stripped of her youth and virtue.
The old man continued to live a regular
life in spite of Sam’s moral degradation.
Chapter 5- Now, Where
Have I Seen Her Before
Intertextuality is the interrelationship between a text and
other texts, taken a basic to the creation or overall interpretation of the
text; simply the dialogue between old text and new.
In knowing that there’s no such thing as a wholly original
work of literature, some examples that have helped in my specific readings
include the Bible, in which many texts derive from or in ways a character
embodies a figure from the Bible, such as, Chigurh in “No Country for Old Men”.
Another example from “No Country for Old Men” is that of which Chigurh is like
Jason from Friday the 13th. Another example includes the movie
Titanic, in which characters Jack and Rose are like Romeo and Juliet, barring
the murder-suicide, where two main characters came from different backgrounds
and ultimately did not get to be together.
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